The German friends watch in horror, and their fellow soldiers actually intervene to save one of the children, though she is then shot by an SS officer. Instead, it is Ukrainian peasants who club Jewish men, women, and children to death.
Even more implausible is the fact that Viktor is one of the three friends who survive the war.Īdvancing through the Soviet Union, Wilhelm and Friedhelm do come face to face with the Holocaust - but not in the form of German Einsatzgruppen and police battalions mowing down Jews.
Her lover, Viktor, is Jewish, despite the fact that Rassenschande - intimate relations between Aryans and non-Aryans - was already forbidden in 1935, punishable by prison and even death. Greta, who stays home, seeks fame as a singer.
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As the series opens, the friends gather at a farewell party: Brothers Wilhelm and Friedhelm are off to the Eastern Front. None of them are Nazis or have Nazi sympathies. The 2013 miniseries Unsere Mütter, unsere Väter (released as Generation War in English) continued the trend, tracing the fates of five young people from 1941 through to the end of the Third Reich. A year later, more than 11 million tuned in for Die Flucht (released as March of Millions in English), which focused on Germans fleeing the Red Army. Some 12 million Germans watched the show.
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This trend began back in 2006 with Dresden, a two-part TV drama set against the destruction of the German city by British and American bombers in February 1945. The dramas don’t even focus on the resistance to Hitler. None of the new productions directly addresses the Holocaust or other Nazi crimes. While the shows dealing with communist East Germany are realistic, the Third Reich gets off too lightly. Most Germans today are proud of the way their country handles this legacy, but many of these recent productions fall short of what one might have expected from a generation of filmmakers and TV producers untainted by Nazism. Germany, by contrast, has to deal with a history of guilt and shame. But these films are stories of redemption, culminating in the heroism of the war against Adolf Hitler. Many recent British and American movies have also focused on the run-up to World War II and the war itself, including The King’s Speech and Darkest Hour. Germany is not the only country looking backward, of course. The latest, most expensive, and internationally most successful example is Babylon Berlin, a crime series set in the dying days of the Weimar Republic, now streaming on Netflix in Australia, Canada, and the United States. Over the last decade, German filmmakers have begun churning out lavishly produced movies and television series dealing with the dark side of Germany’s recent history.