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The simple way to create more space for creative patterns.How to copy patterns from one sound to another.Once you’ve set up some operators, it’s time to shape, mold, crunch and smash your sound until it makes the hair on the back of your neck stand on end.įor example, in Video 7, “Arpeggiator” you’ll learn how to create a wild assortment of arpeggiated sounds from hypnotic rhythms to fluid melodies: How to pass a sound from an operator through a filter.The best way to add more operators to create more depth, saturation, dirt and grit.How to automate operator settings to get more done in less time.How to make a positive offset to create a harmonic output.The secret to make an operator feed itself and become carrier and modulator all at once.How to quickly set carrier and modulator operators, change waveforms, and vary the signal ratio and offset between the modulator and the carrier.A sneaky way to create side bends with frequency spectrum.
How to set velocity on one operator and set frequency synthesis with another operator’s waveforms.In Video 3, “FM Basics - Operator View and FM Matrix” you will learn: The FM Matrix gives you a single interchange where you can rapidly connect operators and vary modulations between connections. It’s fun and fast with the FM Matrix, the core of FM8’s basic buildingblocks. Next, it’s time to start creating sounds.
Our first couple videos give you a thorough overview of FM8’s features, browser and presets.